This is a secition of the Rockvine we have dedicated to things that are not Rock but we (meaning I.... the editor) want to talk about. Could be anything I want - hip-hop, pop, folk, politics, cupcakes, puppies...anything.
If you like what you see, be vocal and leave comments or drop me an e-mail. If you don't like what you see be even more vocal and leave a nasty comment. We like nasty comments.
Thanks to Jay Gruber for contributing this one. Jay is the Editor's brother, but he's also an executive at Fox Sports West so he knows what he's talking about.
Legendary wordsmith Yogi Berra once said, "The future ain't what it used to be." In light of recent events in baseball, I tend to agree with him. In my lifetime, I have attended hundreds of baseball games. Much to my wife's dismay I am a huge fan of the game and take every opportunity to visit stadiums around the country. So it may come as a surprise that despite growing up only miles from Yankee Stadium, I only attended two games there in my life. I grew up a Mets fan and I should perhaps preface everything I write here by saying I despise the Yankees and everything they stand for. The majority of my baseball memories reside in a place, Shea Stadium, that is no home to a myriad of legendary moments, but instead is perhaps best known as a testament to poor planning, airplanes fly overhead every five minutes or so during the summer, but not during the winter when they surveyed the site for the land. But with that being said, my first memory of Yankee Stadium is of attending a game with my friend Jeff. I can’t for the life of me recall who played, or what the outcome of the game was, all I can remember is that Jeff's parents were drinking beer during the game, and this struck me as odd because my parents did not drink, and so I naturally assumed that most parents didn't. Not much of a first memory, but oddly that memory stands out as vividly as anything I saw in the hundreds of games in the stadium across town. My second memory of Yankee Stadium is probably equally as inconsequential as my first. Once again, a friend invited me to attend a game there. We went and sat in Yankee Stadium’s world famous bleacher seats. Once again, I have no idea who played or what the outcome of the game was. What I remember is the two drunk guys by us who couldn’t stop talking about the Chassidic Jews in the section wearing Yarmulkes. They had nothing but questions about their "beanies," to the point where these two men left the game, for fear of being harassed further. I don’t think that the drunk guys meant anything cruel about it, but it was just something to do. Not exactly James Earl Jones’ speech in Field of Dreams in setting up the mysterious hold that baseball and one stadium can have over people, but this is what Yankee Stadium meant to me.
In the year 1921, in Babe Ruth's second year with the team, the Yankees were, for want of a better word, booted out of their home at the Polo Grounds, and were left to fend for themselves. In 1923, Yankee Stadium opened its doors. In the 85 years of its existence, it has seen 6581 regular season games, 161 postseason games (most of any stadium), 37 World Series have been played there, 26 times the stadium has hosted the Yankees as the World Series Champions, and nine of those championships were clinched by the Yankees in that stadium. Fans have bore witness to Lou Gehrig’s retirement speech, three perfect games, including the only perfect game in World Series history, Babe Ruth’s 60th home run, Maris’s 61st, Dimaggio’s 56 game hitting streak, Reggie Jackson’s three home run World Series game, Jeffrey Maier’s fan interference home run, and enough Yogi Berra quotes to baffle the wisest of English professors. It has been home to the Sultan of Swat, the Iron Horse, the Yankee Clipper, The Straw that Stirs the Drink, and Donnie Baseball. The words, “Win one for the Gipper” were spoken here, and the Greatest Game Ever Played was contested inside its walls. This is what Yankee Stadium meant to sports.
Yankee Stadium closed its doors for the final time last month. Right now it is slowly being taken apart brick by brick and will be auctioned off to the highest bidder. Next year, the Yankees will open a new Yankee Stadium, aptly titled as such, and it will likely be a grand testament to modernity, with concourses so wide you could stand one hundred men the size of Babe Ruth side to side without even a hint of traffic, bathrooms so bright and clean that they will probably need to hand out Reggie Jackson’s shades to protect your eyes, and concessions so varied that you could go on a Mickey Mantle sized bender and still not exhaust your options. It will be all of this and more, but what it will never be again is “The House that Ruth Built." Oddly enough, this didn’t lead me to think about the majesty of the new stadiums I had seen, but instead of the idea of how we as a society always feel a need to tear down tradition for something new.
In 1998, filmmaker Gus Van Sant elected to remake Psycho. Not only did he choose to remake the film, but he elected to simply make a shot for shot remake. He brought in a cast of well-known, talented actors, added color, and had about 20 times the budget that Hitchcock had years before. Other then a scene of implied masturbation instead of inferred masturbation and some minor details, they were essentially the exact same film. I, like many others who might consider themselves “film buffs," either refused to see or panned this idea without giving it much consideration. Remakes were generally bad to begin with, and this one just seemed pointless. I rented the remake of Psycho (sadly this was the only version of the film available at my local video store) this past week. While I watched the film I still couldn’t shake the feeling that the whole exercise was kind of stupid, but at the same time you could not help but admire the craftsmanship. The original Psycho is one of the best directed films of all time and this film certainly maintains that standard. Thus I was forced to ask the question, if a viewer did not know anything about Alfred Hitchcock or the original film, could they enjoy the same experience as someone who viewed Psycho when it was first released, or would a modern audience be better served by a more modern, reimagined version of the film?
The recent trend in filmmaking has been toward the idea of reimagining an existing work, rather then simply remaking it. The new Batman series of films is a perfect example of how taking the concepts of an older work and reworking them for modern times can be an extremely effective and profitable endeavor. Remakes in the horror genre seem to be coming out on a weekly basis lately, which such classics as The Texas Chainsaw Massacre already made, and Friday the 13th, and The Thing on the way. But in remaking or reimagining whether a success or failure we invalidate what made the original memorable or successful. As Roger Ebert said in his review of the remake of Psycho, “Curious, how similar the new version is, and how different. If you have seen Hitchcock's film, you already know the characters, the dialogue, the camera angles, the surprises. All that is missing is the tension--the conviction that something urgent is happening on the screen at this very moment. The movie is an invaluable experiment in the theory of cinema, because it demonstrates that a shot-by-shot remake is pointless; genius apparently resides between or beneath the shots, or in chemistry that cannot be timed or counted.”
The trend in sports now, like in movies, is moving toward reimagining the classic stadiums, into something new and exciting, attempting to build "retro" ballparks that are both modern and beautiful but also remind you of the glory days of baseball when stadiums were built in harmony with the city or the landscape, and thus had buildings incorporated into them or hills or whatever stood in their way. This all began in 1992 and since then 16 of the 30 MLB teams have opened new stadiums. With the Mets and Yankees opening new stadiums next season that will make almost two thirds of the teams in baseball playing in stadiums younger then any player in the major leagues. Now this is not to say that new stadiums are all bad. Frequently, they are beautiful places to watch a game, with comfortable seats pointed directly at the action, clean bathrooms, and a myriad of concession options that put buy me some peanuts and crackerjack to shame. But with this trend comes the negative as well, stadiums have become smaller and more exclusive, ticket prices have skyrocketed, downtown locations have added traffic and parking problems, and the cost of these stadiums can be a burden on the community at large, so why do teams need new stadiums anyway?
There is only one legitimate reason that can be accepted by a rational person, and Thin Lizzie said it best, I want money. A new stadium means they can charge higher prices for everything, and use the stadium as an attraction in and of itself, so that the place will attract more complacent fans who are just there to take in the atmosphere and not to root on their team. Additionally, it allows teams to shift from portions of the stadium from standard seating to luxury areas. You end up with smaller stadiums with larger percentages of luxury boxes and club level seats, so the owner’s cost goes down, while their profits go up. Not to mention the fact that frequently the money is fronted by the community for at least a portion of the stadium, because these teams are often a point of pride and losing them would be worse then spending $1.6 billion dollars to replace the most irreplaceable building in sports.
Thus we are brought to the new Yankee Stadium. For all intents and purposes, it will be a shot for shot remake of the original, keeping the same dimensions and maintaining the elements that made the original Yankee Stadium what it was, only adding in those items that will bring it up to par with the other new stadiums that have been opened recently. But what it will gain in comfort, it will lose in legitimate tradition. No longer will a rookie step on the mound or in the batter’s box and be forced to remember all the greats that have stepped there before him, and perhaps not perform as well because of it. No longer will a team enter the postseason against the Yankees and be forced to consider the fact that three out of every ten World Series winners since the opening of Yankee Stadium have been the Yankees. Anybody who knows baseball knows, batting .300 is the benchmark, which all offensive players tend to measure themselves, and the Yankees have done that as a team. They sacrifice all this for money and for power. But the Yankees are already the richest team in baseball, and anybody who honestly thought the Yankees were going to give up New York to the Mets and move to New Jersey, well I have a bridge in Brooklyn that you may be interested in. Because, like Ebert said, there is something that lies between or beneath the legendary Yankee Stadium frieze that makes it what it is, and no amount of clean bathrooms, or club level seats can replace that, and so the whole effort is meaningless.
I live in Los Angeles now, and whether or not a friend might have had tickets to a game, I doubt I would have made a trip back just to see Yankee Stadium again. But as I listened to LA Sports Radio, perhaps the most bland sports radio of all time, they were discussing the fact that Yankee Stadium was closing a week before the end of the regular season, and not on the final day in some separate from the masses event that everyone could enjoy, while Shea Stadium was closing on the final day of the season. This annoyed me on multiple levels, first and foremost because as a Mets fan, I despise when the Yankees get undo attention just for being the Yankees, but also because I felt the talkers were missing the most obvious point. The reason the schedule-makers had done this is because they assumed the Yankees would make the playoffs, as they had done each year in the thirteen years prior and thus would get their proper send-off in the postseason as would be fitting, whereas the Mets nobody could be sure what would happen. But as the announcers complained and insisted that it be changed, I couldn’t help but be somewhat happy. Perhaps this “mistake” and their missing the playoffs was the start of the Baseball Gods enacting their revenge toward tearing down their cathedral, and perhaps by denying all their success in that building for the pursuit of money, there would be some sort of punishment. But then again, as Yogi Berra said, "It's tough making predictions, especially about the future."
Oi... it's been a while since I wrote one of these. I'm sorry - I created this section in hopes that I would have, not only something to say, but the time to say it. As the political climate and economic climate of our country declines further, I hope to share with you a new perspective - something different that is directed towards musicians specifically, but that I hope speaks to all of us in a way. For that reason, I move away from politics and the economy to something I know a bit more about, being a musician and working in the music business.
How can this possibly apply to a general public, my readers, who are mostly music fans and not musicians? The fact is, being a musician is being an entrepreneur, a student, an artist, an architect, a salesman, a designer and a human being. In addition, the mentality of the musician today parallels the mentality of my generation - I at 25 have been placed in a group that has been called "Generation Y" aka "Generation Why?" aka "The Me Generation." We are plugged in and shut down We feel entitled but not engaged. It's all about me.
I'm not claiming to be different. I'm simply hoping to offer one set of insights that I hope musicians can take literally and I hope others can take metaphorically and apply to their lives in any way you see fit and find some benefit from these concepts. As always, this is an open forum - you are welcome to comment, question, disagree and tell me to fuck off.
Please note, this is not directed towards any individual or band - I also run the Eleven Seven Myspace and when bands contact us for A&R consideration I hope to treat them with respect and honesty. I would never apply these concepts to any band without examination.
Recently, my parent company, Eleven Seven Music, along with Guitar Center, hosted a great contest called Make Rock History (it's still going on in the Semi-Finals stage so I won't speak of anything to the contest itself . I had the honor of listening to, looking at and examining over 300 of the top bands to help select those that would go to the Semi Finals. Throughout our offices we examined, deeply over 1,000 bands, gave them all consideration and narrowed it down - the process was not easy... there's a lot of talent out there and a lot of frighteningly bad music that just doesn't get it.
In the entry for Make Rock History there was a question "Why Should Your Band Win?" The answer was an overwhelming "Because we deserve it." It came in many shapes and forms "Because we work harder and we've paid our dues..." "Because we're the best band in the world..." "Because we rock harder than everyone else..." "Because we deserv(sic) it." Yes - one band did write "Because we deserv it."
The fact is, no band ever became famous because they simply deserved it. They make it to your ears because they work for it enough that other people want to help them work for it. Our world is full of people who feel they deserve a helping hand or special treatment - they have the "I create, therefore it is good" mentality. The fact is, simple creation is not enough - our world is so over-saturated with media and music that to stand out from the pack you must be special, unique and different, but the same enough to fit in.
That leads me, conceptually, to the "I want to get signed..." mentality. As a member of the music industry, I must say that the concept of just "wanting to get signed" without truly understanding what it is you are signing is ridiculous. Now I know, like many things in this world, I look at it from the Hollywood perspective as I sit in the office of one of the most successful Rock music labels in the world. So I don't say this to be insulting, but informative. Getting signed is meaningless. So let's give it meaning.
First, let us define what "signed" means. To most artists, getting signed is a general term applied to any record deal. To others, it is any contract that "advances" a career - IE finding a manager, record label or agent. What most people don't realize, however, is exactly how that signing entity plays into their life, and more importantly how the symbiotic relationship between those characters exists. The fact is, most bands just aren't ready to get signed and it wouldn't be beneficial for the band OR the signing entity.
In the music industry, managers, agents and record labels make money from investing time and money in bands and receiving commission as a percentage of their work or profiting from the manufactured product (CD or mp3) they release in the case of a record label - not in up-front fees (IF YOU ARE AN ARTIST AND YOU ARE EVER GIVEN A DEAL THAT REQUIRES UP-FRONT INVESTMENT FROM THE BAND.... RUN). Therefore, no label or agent will ever sign an artist that doesn't have something going on. What would be the point of signing some young band that doesn't have any fans, good recordings and needs a lot of work? Raw talent is wonderful, but the band needs to do the ground-work and build the base from which the agent and label can make money. Ninety percent of records released fail - that's all records of all kinds from established AND new bands. Labels, generally don't just discover talent and turn them into something - I promise, no matter how good your band is, just being good isn't enough.
Managers are slightly different - sometimes they are willing to help build. The mistake most bands make is signing with a crappy manager that they don't need - a band only needs management when they can truly no longer handle their business. Bands really need to analyze WHY they need a manager and what that manager has to offer the band. Often a big name manager can't pay attention to a young band because they have to focus on their clients that make money. Independent bands also tend to sign with down-and-out managers who have little to offer, but when things take off the band starts making money and has a leech dragging them down for 20% of everything they make (this even happened to Nine Inch Nails).
If you are in a band, you do not need a manager until you can no long handle the business yourself. Before you sign with a manager, analyze yourself and think CAN I do this work? Am I just being lazy by not doing it myself? What does this manager bring to the table? How can I work through all of this myself and is this manager valuable to me?
Before even submitting to a record label or an agent, an artist needs to do the basic work of building a fanbase regionally. As a band, you need to prove that people who don't know you like your music. What does that mean? It means you have to hone your live show and play gigs. You have to get out and WORK YOUR ASS OFF promoting shows. Don't just hand out flyers and send e-mails. Go up to people and make them come to your fucking show. Tell them to bring friends. Hire a publicist (the one contract in the business you should pay for up-front). Get the word out by any means necessary. Make friends with other bands and create a scene and community. Make records - it's really cheap now to make good records with digital technology.
If a band can't do that basic groundwork, they're not ready to be signed. If a band does the groundwork and can't build a fan-base, they're not good enough.
That is the other side of this project. Be self-aware. Listen to your music against other music and say to yourself "Does this sound as good or better?" If the answer is not HONESTLY yes.... educate yourself and find out why. Songwriting is an art AND a science If you don't learn how to write music for your genre and become educated by studying the art and science, why are you wasting our time? Just because you create it, doesn't mean it's good.
Is there a light at the end of this dream-killing essay? Yes, of course there is. The fact is that most artists need to create just to create. If you are an artist, and you are happy to write songs and get up on stage and share them with the people you can share them with, then you should just be happy doing that. Like most things in this world, you get out what you put in. If you put a lot of heart and soul into writing music, honing your skills and promoting yourself, you will eventually build a fanbase and start being able to do what you do for a real group of people you can call your fans. Will you be able to quit your dayjob and start doing music for a living? Maybe. Will you get signed and make millions? Less likely, but maybe.
However, if you sit in your apartment and you write a bunch of songs and then send them to record labels, are you going to get signed? No. You may get a publishing deal, but you're not getting a record contract. If you don't know what a publishing deal is.... you're not doing your homework.
Record companies aren't in the business of building an artist, they are in the business of breaking artists - there is a very distinct difference. The most up-and-coming band you hear on the radio from the smallest indie label has fans somewhere - the label is responsible for breaking them to the nation. The BAND was responsible for the build, the intiial creation of the concept that put them in a position to get signed.
There is another great misconception that "we sound like nothing else" is a good thing. The fact is, the radio is the radio for a reason - people like to hear the music that the radio plays. If you don't sound anything like anything else, it's possible you don't have a place in pop music and therefore, most labels can't make money from you. If you're in a Death Metal band and want to get signed to Nuclear Blast or Roadrunner Records, awesome - that's the right thing to do, but you had better sound like Obituary or Dimmu Borgir or some other popular band who's name is too scary to print here. If you're in a rock band and think you fit on Eleven Seven, you better have some singles in you, because we're not interested in music that nobody wants to buy - even the most experimental popular bands, System of a Down, Radiohead, Nine Inch Nails, Mudvayne, all have a hook that makes them special but enough like other music that you want to listen. Not one of those bands sound like NOTHING else you've ever heard.
How does all of this incoherent babbling apply to life? It is simply this: people need to work for what they want. Life is not going to come to you and a strong work-ethic and an understanding that you can MAKE things happen is the only way you will ever achieve greatness.
Whatever your art-form may be, whether it is music, painting, sales, accounting, law, architecture or just general pencil-pushing, you're not going achieve your dreams unless YOU do the legwork. Nobody wants to "sign" you out of charity and there aren't many people who want to polish the coal until it becomes a diamond. Make yourself a diamond first - you'll be worth more and much happier in the long run.
That being said, I do listen to every single demo that comes my way, and pay attention to every band we come across. When I say I listened to over 300 bands, I mean I LISTENED to over 300 bands - full songs, videos, everything I needed to know what that band was about. I'll tell you something - the best bands on the list were also the ones that had fans, and things going on. People flock to good music and hard work. It's up to you to make it happen.
My first non-Rock post on this site in our brand new Beyond Rock section and I choose Politics.... wow I must be stupid. Oh well, I have something to say and a forum in which to say it, so I will use the forum and see what happens.
Unless you've been living under a rock, you are likely aware that the Governor of Alaska, Sarah Palin, is the Republican nominee for the Vice President of the United States - running with 72 year old Presidential Nominee, John McCain. I could not be more frightened of the prospect of this pair as the top executives of our nation
Here, we will not attack character - John McCain is a patriot and a war hero and Sarah Palin has... well... done stuff and seems to be a great representative of what a politician in this country needs to be. Furthermore, congratulations America - unless there is some major change to the way we choose our government leaders there will be an African American President or Female VP in office by 2009. There are good things on the horizen.
That being said, as a young American with a brain, I can't help but be disturbed by the stance and beliefs of the Republican nominees. Rather than attack them on the whole, which I am neither educated enough nor do I have time enough to handle, I will simply discuss my genuine anger at a three word chant I first encountered when lead by Rudolf Guiliani "Drill, Baby, Drill."
The chant, which has become a household phrase in the last week, is a direct reference to Sarah Palin's stance to aid in our nation's energy woes and to increase our domestic drilling for oil and natural gas to, theoretically, decrease our dependence on foreign oil, lower energy costs and stimulate the economy. As the governor of Alaska, she of course supports much of this drilling taking place in her home state and the construction of a pipeline that carries that oil from Alaska to the continental 48 states. This is an extremely short-sighted band-aid suggestion to a very long-term problem that requires a solution, not a band-aid.
First, let's discuss the positive aspects of drilling for oil in Alaska. For one thing, it will allow us to produce oil we would otherwise have to find elsewhere - the Middle East. It will, therefore, theoretically lower import costs, increase the oil supply in the world and lower energy costs which therefore would lower the prices at the gas pump and on your bills every month. At the same time it creates jobs inside the United States - someone's gotta do the drilling and build the pipe-line, and you can't readily take jobs that occur INSIDE the US and ship them off to East Asia, can you? So, to recap we're killing a few birds with one stone... more oil, lower prices, more jobs - yippee, our prayers have been answered and logic prevails.
Then we begin to think deeper.
First, what is the true problem of the energy crisis? It oil prices or oil dependence? I say it is dependence. Even if drilling for oil WOULD lower prices in the short term (which it wouldn't for several reasons), it would not alleviate our need for oil in the long term. Therefore the fix is inherently for a limited lenght of time - say 50 years. In the year 2058, when Alaska is dried up and we have no alternative fuel sources, THEN we're SOL - but for now, Palin's drilling policy is still our savior.
Now let's look at the economics of drilling. Once again, lets assume the drilling works, we refine the oil and keep it domestic or export it in such a way that it does indeed lower energy costs WITHIN the US (again a pretty lame assumption), how are we going to pay for the new oil rigs and pipeline? That's right - taxes and borrowing. That means, more debt and more money out of your pocket. So we all rejoice as gas goes to $3.00 a gallon again (anybody else remember when it was under $2.00) but we all pay an extra couple hundred bucks a month in taxes. It's a wash or you wind up losing more. BUT WAIT - we made a shitty assumption at the beginning. The reality is, domestic drilling won't likely lower gas prices due to the way oil prices are set on an international level based on supply and demand and the small dent we put in world supply won't affect nearly as much as we think... so taxes go up, debt goes up and gas prices don't really go down.
The Environment - not only does drilling for oil deplete an irreplaceable natural resource developed over millions of years of heat and pressure under the Earth's surface, but pulling it out of the ground affects the ecosystem. Running warm, flowing oil through a pipeline and keeping the pipe from freezing or being damaged by snow, ice and harsh conditions in in Alaska also greatly affects the ecosystem. I'm not saying that's a reason to say "no" off the bat - but it's something we need to pay attention to and be wary of the overall affects.
Now jobs are a great thing and something we need in the world. I wholeheartely agree with giving people of all backgrounds and education levels the opportunity to make a living. Question is, are we creating the right jobs? Is there a way to create the jobs, reduce dependence on oil, preserve the environment and NOT drill? Of course their is, it just takes more time and ingenuity.
Here is just one alternative:
Stomach the gas prices for a while. Grow up America, it sucks but the rest of the world has been dealing with it for years. We are a nation with some of the smartest people in the world, developing the greatest technology the world has ever seen - why do we assume the internal combustion engine and turbines fueled by natural sources are the best generators of energy on the planet? Just over 100 years ago we didn't know we could make things move using an internal combustion engine that burns oil for fuel. Once we figured it out, we decided to perfect that system instead of exploring other options - I say it's time we explore.
If we were to put the same money, focus and energy into the development of alternative fuel sources (IE Hydrogen Cells, Biodiesel and Solar) or alternatives that reduce the use of oil within our current fuel systems (IE Hybrid systems and Ethanol), we could, in theory develop a new and different solution that removes or reduces our dependence on oil to less significance in the short-term and nothing in the future. A solution, rather than a band-aid.
This solution serves many of the same needs as domestic drilling.
1. It reduces our dependence on foreign oil in the mid-short term and eliminates it in the long-term. 2. It will re-set our thinking and position on how we pay for energy and fuel. 3. Seeking alternative fuels sources creates jobs for our highly educated and skilled scientists and engineers, and, if developed and run by an ethical American company (a pipe dream, I know), jobs for factory workers and other working class citizens just like the pipeline and drills - except these jobs don't have to be in Alaska or working on an extremely dangerous oil drill.
Seeking alternative fuel sources is INDUSTRY AND TECHNOLOGY. These are the things that the United States loves to accomplish. Why are we so focused on the seemingly easy way out (that isn't easy at all) when there's another answer available that just takes some elbow grease and a little bit of risk? We've just touched the tip of the iceberg as far as our research on alternative fuels is concerned.
I say, rather than "Drill, Baby, Drill" we should be focused on research, development and manufactering... the things the USA do best.
Ladies and Gentlemen - I beg of you - please do not vote for John McCain and Sarah Palin.
If you agree, please leave a comment. If you disagree - seriously, please leave a comment!